In its twenty third 12 months and forty fifth season, CBS’s Survivor continues to face out amongst different competitors actuality TV exhibits for its excellent manufacturing values. Although the twists and benefits might typically be annoying, I all the time respect the way in which the present is crafted.
That features the present’s high-quality audio.
The individuals in control of it seize the sounds and noises gamers make as they’re crawling via mud or assembling a puzzle throughout a problem; strategizing as they stroll via the jungle or bob within the waves; or whispering concepts to one another at Tribal Council. In addition they report all of Jeff Probst’s continuous expository babble at challenges.
To get that audio, Survivor’s sound mixers use a number of strategies, together with having the gamers put on microphones—although far lower than you would possibly suppose.

Different exhibits are much less refined about their audio. The Huge Brother home has seen microphones, and the gamers additionally mic themselves, and should put on these mics always.
This season, on BB25, Felicia has by accident destroyed 4 mics to this point, together with dropping one in the bathroom; Hamsterwatch is monitoring these. Chances are you’ll recall that in BB11, Chima deliberately tossed her mic into the pool, and was evicted because of this.
Some actuality exhibits have gamers put on matching necklaces which are truly mics, whereas others exhibits simply don’t trouble to hide mics in any respect.
Take Love Islandfor instance, the place the forged simply wears mics round their neck, and a belt to carry the battery pack and transmitter:

Survivornonetheless, tries to maintain the manufacturing as hidden as attainable from viewers, regardless of the big workforce behind the scenes. Which means the audio workforce combines completely different strategies of gathering sound.
When gamers are speaking or strategizing at camp, they don’t put on microphones.
CBS simply shared a video on TikTok that includes James Demer, who’s a actuality audio mixer on the present. (“Actuality” is the time period used for the crews who’re on the seashores with the forged, versus those that cowl challenges or Tribal Council.)
Within the transient video, Demer talks about his job, not the gear he makes use of. “You don’t get a second likelihood at something. So it’s tremendous vital that you simply discover ways to anticipate what the forged is considering or about to do,” he says. “I comply with them with my microphone and I seize all of the dialogue that you simply hear on the present. In the event that they run via the jungle, I run via the jungle. In the event that they resolve to get within the ocean, that signifies that I get within the ocean too.”
Nonetheless, the video exhibits how he captures that audio: with a large increase mic on a protracted, telescoping pole. He additionally wears headphones and a cumbersome pack on his chest.
Once I was visiting tribe camps in the course of the first three days of Survivor GabonI used to be amazed to look at the audio mixers do that work, holding these huge, fuzzy mics (they’ve fur-like covers to attenuate wind noise) in opposition to the skin of the small huts that’d been constructed for the gamers.
These mics are directional mics, that means they solely seize what they’re pointed towards. These audio mixers direct and maintain their mics whereas additionally remaining out of the view of cameras.
At challenges and Tribal Council, nonetheless, issues are completely different.

When Survivor gamers stroll right into a problem area or Tribal Council, they’ve already been on the location for fairly a while. That’s as a result of they go to individually with medical workers, and are additionally outfitted with a person mic and battery pack/transmitter.
These lavaliere mics—or lav mics—are very small and might seize nice audio even from beneath material or beneath adhesive covers. They will even be taped on to somebody’s pores and skin. This video exhibits 5 other ways lav mics are hidden.
The transmitter, which additionally holds batteries, is in regards to the dimension of a deck of playing cards, and must be held in place and is commonly hid.
On RuPaul’s Drag Racewhen the queens get out of drag, you’ll usually see these flesh-colored bands round their torso. There are all types of straps out there to carry the transmitter beneath garments.
Sometimes, throughout challenges, Survivor gamers put on that gear beneath their shirts or beneath their buffs round their necks. For instance:

In the identical manner the digicam division locations small GoPro cameras across the problem area or on props to seize superb angles, the audio division locations as much as 30 mics all through the problem, too, to seize extra audio.
Jeff Probst and producer Brittany Crapper mentioned that in an episode of their podcast. Probst supplied reward for the one who runs the audio division, Ryan England, mentioning that he found out the way to get higher sound within the ocean, and was the primary particular person from the audio division to attend problem blocking, and at his first problem, urged placing a mic in a puzzle to seize these puzzle sounds.
“We get killer audio,” Probst stated. They do certainly.
As with so many different issues they do nicely, Survivor’s crew does an excellent job of hiding these mics—although when you begin in search of those on the gamers, you’ll most likely begin seeing them on a regular basis.
Right here’s one other instance from Survivor 45:

All of this audio captured on location then needs to be integrated into Survivor’s episodes by the editors.
Nonetheless, a few of what we hear is definitely pretend sounds added in post-production.
Re-recording mixer Terry Dwyer, whose firm Mixers Sound works on Survivorinformed Selection in 2015 that he receives a last reduce of the episode from the editors.
Producers, he stated, “need us to maintain it actual” however that typically “location audio loses the actual.” He demonstrated with a scene from a reward, the place the audio of individuals speaking could be very clear, and he provides the sound of wind and ingesting from a glass.
Whereas not all the pieces we hear is recorded on location—together with, in fact, the musical rating—what we do hear is outstanding, whether or not that’s the sound of a puzzle piece sliding throughout a problem or crystal-clear audio of a participant struggling within the water throughout a problem.
