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Home»Microphones»“With Microphone in Hand”: International Intervention, Musical Activism, and the Performance of Westernness in Postwar Kosova
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“With Microphone in Hand”: International Intervention, Musical Activism, and the Performance of Westernness in Postwar Kosova

dutchieeaudio.comBy dutchieeaudio.com8 November 2023No Comments3 Mins Read
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Following the Kosovar Battle of 1998-1999, Kosova turned a UN protectorate and residential to myriad intergovernmental and worldwide non-governmental organizations in addition to NATO troops. On this atmosphere, performances of Western-based pop music genres similar to rock, R&B, and hip-hop turned a method for the Albanian majority to barter Kosova’s relationship with North Atlantic international locations by presenting its residents as innately Western of their cultural orientation. On this examine, Sugarman examines this dynamic by a concentrate on a number of distinguished performers who took on the function of socially engaged artists on this interval, recording songs and music movies that immediately addressed points affecting Kosovar society. As she’s going to argue, Kosovar Albanian performers drew on Western-based pop music genres concurrently to professional their society within the eyes of worldwide establishments and to confront Western political hegemony by claiming a particular and oppositional voice. In doing so, they usually additional supported the very factor that a lot of them discovered problematic: the authority that worldwide establishments retained over their society.

Jane SugarmanProfessor of Music, CUNY Graduate Heart, is an ethnomusicologist whose analysis has targeted on the roles performed by musical practices in processes of id formation, with explicit consideration to communities in and from Southeastern Europe and the Center East. Along with intensive analysis on the connection of musical practices to gender and sexuality, she has additionally written on problems with modernity and globalization, diaspora, nationalism, and battle and post-conflict conditions.  Her 1997 guide Engendering Tune: Singing and Subjectivity at Prespa Albanian Weddings, analyzes the flowery, multiday marriage ceremony celebrations of a diasporic neighborhood, and the singing that dominates the actions, as websites for the negotiation of neighborhood notions of gendered id. In 1998 it was awarded the Chicago Folklore Prize, offered by the American Folklore Society and the College of Chicago. In 2004 a second examine associated to problems with gender and sexuality, “These ‘Different Girls’: Dance and Femininity amongst Prespa Albanians,” was awarded the Jaap Kunst Prize by the Society for Ethnomusicology as essentially the most vital article of the 12 months.  Extra lately, she has examined the roles performed by rural singing, in addition to practices of people tune assortment, within the improvement of the Albanian nationalist motion; and the participation of Albanian business music productions within the Kosova Battle of 1998-99.

The CUNY REEES Kruzhok is an area for students within the social sciences and humanities to share analysis in progress for suggestions, with a wider intention of connecting specialists targeted on this area inside CUNY, New York, and additional afield. It’s coordinated by Mark Lewis (School of Staten Island/Graduate Heart, CUNY), Merrill Sovner (EU Research Heart, Graduate Heart, CUNY) and Lukasz Chielminski (Baruch School/CUNY Baccalaureate). It’s co-sponsored by the EU Research Heart and the Historical past PhD Program on the Graduate Heart, CUNY.

It meets on chosen Fridays at 12:30 pm ET throughout the semester. E mail cunyreeeskruzhok@gmail.com to hitch the mailing record or categorical curiosity in presenting.

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