This week we’re wanting exhausting at media convergence in The Drum’s newest deep dive. Right here, Brew Digital’s Wealthy Harper warns of 1 consequence of the trendy media setting: a resurgence of the pirates.
Convergence is often seen as a pro-consumer comfort: a number of disparate services or products in numerous classes merge collectively to develop into one (hopefully) accessible product. Maybe the best success story of convergence is the smartphone – laptop, digital camera, telephone, and MP3 participant coming collectively in a single handheld gadget that unlocked important financial and artistic alternative.
However convergence doesn’t all the time succeed. Microsoft has had a number of failures; combining contact and conventional desktop environments in Home windows 8 and positioning the Xbox One as each a recreation console and residential media middle are simply two. Google failed exhausting in its makes an attempt to make Google+ the epicenter of your digital existence. Let’s not even begin on Elon Musk’s try to show X (previously Twitter) into an ‘every little thing app’ to compete with WeChat.
We’re even beginning to see a rejection of convergence amongst sure demographics. Teenagers are turning to old-school point-and-shoot cameras over their smartphones (whilst they proceed to put up on-line).
This rejection of amalgamation is equally true of individuals’s media consumption habits, however right here it’s much less to do with retro attraction, and extra to do with the media corporations failing to current a compelling proposition. Right here, media convergence is the inevitable finish of the ‘pro-consumer’ unbundling promise.
The race to the underside
The 2010s noticed the conclusion of the streaming age, the place folks began to get extra freedom over what they wished to eat and the place. With the help of file labels, iTunes revolutionized the mannequin of buying music, and with the help of studios, Netflix modified how folks watched premium content material, offering an all-you-can-eat mannequin for the value of two coffees a month.
However as incumbent ‘legacy’ media corporations and rising know-how giants began vying for extra of our time, buoyed by years of traditionally low rates of interest, a race started to outspend the competitors, shopping for up studios and writing clean cheques for content material.
The unlucky consequence of the streaming period has been the declining appreciation of status content material as a commodity in its personal proper. The tech giants (Google, Apple, and notably Amazon) deal with video as a ‘good to have’, a further service to supply to maintain you looped into their ecosystem. They, together with Netflix, are the true drivers of the race-to-the-bottom strategy to content material, forcing the legacy media corporations to compete in an arms race they may by no means afford.
Our consideration, and the engagement metrics that include it, more and more grew to become the valued commodity. Streaming offered a possibility to collect extra knowledge than companies like Nielson may ever precisely provide – which meant higher monetization potential. Studios began ending their syndication offers and started constructing their very own platforms. Their assumption: that a couple of tentpole franchises, which have been money cows for years, could be sufficient to compel customers to enroll.
Through the pandemic that largely labored, as folks had extra time at residence and extra disposable earnings.
However that synthetic excessive has come to an finish.
The return of the pirates?
The large know-how corporations have seen share costs slide alongside earnings, and the legacy media corporations are actually reaping what they sowed after years of debt fueling their acquisitions and consolidation. We’re now seeing the streaming platforms crack down on password sharing, improve costs, and minimize content material in an try to trim prices. Now, they threat reigniting the very downside their existence was meant to unravel: piracy.
The a la carte mannequin made media consumption handy and inexpensive sufficient to show a proportion of former pirates into paying prospects, however when a median client is now anticipated to pay for a number of streaming companies for the few reveals every week they watch, it’s not shocking to see piracy spike by almost 40% throughout Covid.
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Let’s take a look at a real-world instance. Say you might be a median household of 4. You all take pleasure in watching TV and streaming music. Within the UK, you’re doubtless going to have the next:
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Spotify Household: £17.99 a month
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Disney+: £7.99 a month
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Netflix: £10.99 a month (going as much as 15.99 if you wish to watch it in 4K)
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Amazon Prime: £8.99 a month
That’s already £46 (about $57) per 30 days. Do you wish to watch soccer? That’s going to require a subscription to TNT and Sky Sports activities to get full protection: £29.99 and £34.99 respectively. Then you definately get a advice for Sluggish Horses, which is on Apple TV+. That’s one other £6.99. What about Now TV, or Peacock, they each have exclusives which are price watching? And in the event you pay for Sky or Virgin Media, that’s much more. We are able to all see how rapidly the expense can spiral.
Media convergence has didn’t meaningfully enhance the expertise for the buyer. Roughly two-thirds of respondents to an Ipsos survey felt that there have been too many streaming companies, and have been frightened that their favourite content material was going to be pulled. Almost 60% have been overwhelmed by the quantity of selection.
In the meantime, competitors from free companies similar to TikTok and Instagram signifies that establishment is not sufficient for these streaming platforms. So, the query turns into, who would be the first to interrupt ranks and supply a service that’s really revolutionary and delivers on the convergence promise?