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Home»Receivers and Amplifiers»Review: Riviera Labs APL10 Preamplifier & AFM25 Monoblock Amplifiers
Receivers and Amplifiers

Review: Riviera Labs APL10 Preamplifier & AFM25 Monoblock Amplifiers

dutchieeaudio.comBy dutchieeaudio.com28 October 2023No Comments11 Mins Read
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Ever since I used to be a child, I’ve been having a recurring dream about discovering a hidden room in no matter home I used to be dwelling in.

My interpretation of those desires, apologies to Siggy, is the as soon as hidden room represents chance—whereas each home ought to be a house, a home can even turn out to be restrictive in its consolation, like a private fortified metropolis conserving the remainder of the world out. A brand new heretofore hidden room, and its at all times a darkish and mysterious room, acts like a messenger delivering the life-saving message—there’s extra on the market to be found. Which additionally means there’s extra in right here to be found.

Music affords an identical sort of discovery, which is why I’m obsessive about music that’s new to me and why the appearance of streaming is a dream come true. All day each day I can fill my thoughts with new sounds, tip of the hat to John Schaefer, and if I pay full consideration, new prospects abound.

If we select to additionally take note of the standard of music replica, an identical sort of discovery awaits. Whereas there are numerous individuals who view hifi as an equipment, one thing with one job to do making distinction in replica a case of higher or worse, individuals who have actual expertise listening to music on the hifi perceive that its worth is rather more private.

The APL10 Pure Class A Tube Preamplifier has three unbalanced and one balanced enter with two pair of unbalanced outputs. The evaluate unit got here with a pair of NOS RT ECC82 / 12AU7s in place.

Outdoors of hifi associates, I don’t know many individuals who sit and take heed to music. Sit and hear whereas doing nothing else. For non-hifi individuals, doing so could be like pulling up a garden chair to look at the clouds go by. Day after day, week after week, 12 months after 12 months. However that’s what we hifi individuals do—sit and take heed to music day after day, week after week, 12 months after 12 months.

After all we additionally spend money and time on hifi itself. I take heed to music on the hifi for a dwelling, and have accomplished for about 10 years. It’s what I do. Some hifi hobbyists benefit from the distinction completely different items of a hifi package deliver to replica and spend a substantial quantity of money and time deep within the gear. Which is like each different interest in existence. Painters care about their supplies, cyclists care about their cycles, and so forth. When individuals peer right into a interest from the surface, this conduct can appear international and with hifi some individuals select to recoil and lash out on the factor they don’t do, the factor they don’t perceive, and write it off as some sort of deviant conduct. As if they’re higher off, in life, as a result of they don’t care concerning the high quality of music replica. For some, this perspective is a badge of honor as if not caring about what music seems like makes you somebody who cares extra about music.

The AFM25 Pure Class A Hybrid Mono Energy Amplifiers provide 25 Watts of hybrid Triode (12AU7/ECC82) / Bipolar Junction Transistor/Mosfet energy. A pair of NOS Brimar 12AU7s had been put in in every.

All of this flatulent considering utterly ignores the individuals who make hifi gear. I suppose the considering goes, if hifi is however a device with a clearly outlined job to do—you possibly can measure how good it’s!—the individuals behind the merchandise don’t matter. Armed with thought blindness, you can too ignore the straightforward incontrovertible fact that completely different hifi gear sounds completely different as a result of the individuals who made it made it sound the way in which it does on function, and completely different individuals take pleasure in completely different sorts of sound qualities of their reproduced music. How one thing seems and feels and capabilities are additionally components that come into play for a lot of hifi hobbyists. Probably the most excessive hifi-as-appliance thinkers are rattled to the bone with the thought that that is OK, that there’s no single measurable aim relating to the enjoyment of music on the hifi except that aim is enjoyment. Certainty hates enjoyment.

Listening by means of the Riviera Labs separates was like that recurring dream—music reproduced by the APL10 Preamplifier and AFM25 Monoblock Amplifiers had qualities I’ve not heard earlier than, as if the Riviera electronics opened an undiscovered room of sound, increasing my enjoyment of and connection to music past what I believed had been its limits.

I hinted at this Riviera sound in my evaluate of their Levante built-in amplifier (evaluate):

“To place a fair finer level on it, like pinning a butterfly to a web page, I used to be most taken with the Levante’s skill to breed harmonic content material past something I’d heard earlier than, making every instrument, voice, and sound sound extra totally fashioned. Listening to easy highly effective music just like the Revered Gary Davis performing “Let Us Get Collectively Proper Down Right here” from Harlem Avenue Singer drives house the Levante’s skill to current a Reverend-sized Gary Davis as a stable sound picture planted proper right here within the barn as if my hifi become a Star Trek transporter.

OK, right here’s a comparability — think about the sound of lesser amplifiers because the Star Trek transporter getting interrupted by your favourite alien villain, so you’re left with a comparatively obscure, particulated Reverend versus the in-the-fleshness of the Levante’s Gary Davis and his huge, badass Gibson Hummingbird sounding so fully-formed you possibly can practically stick your hand within the sound gap.”

I additionally known as the Levante seductive and none of those ideas have modified with my expertise of the Riviera separates. Nevertheless, I now know, as clearly as I do know the Barn’s partitions are purple and brown, that the Riviera separates are extra quietly seductive as in comparison with the Levante. Not as splashy. Inside minutes of placing the APL10 preamplifier and AFM25 monoblocks on my Field Furnishings Fallen A rack and making all the suitable connections, one being two runs of AudioQuest Robin Hood speaker cable to the DeVore Constancy O/96, I heard that Riviera holographic sound loud and clear. As if an outdated pal walked into the Barn and mentioned howdy with a voice so distinct there was little doubt it was Joe although I haven’t spoken to Joe in some years.

The individuals behind Riviera Labs, Luca Chiomenti (audio designer and engineer) and Silvio Delfino (gross sales and advertising), spent years making this gear and making it sound the way in which it does. On function (you possibly can examine their course of in my Levante evaluate). To state the painfully apparent, the sound they went after and embodied of their electronics fits my tastes and predilections completely. I may, and did, fall beneath the Riviera spell with the Levante and much more so with the Riviera separates as a result of the latter are extra quietly seductive, which means their specific charms take actual time and a focus to completely admire. However as soon as I entered this new room of music replica, it shortly turned my favourite.

“Go Your Approach” from Devon Hoff’s beautiful Voices From The Empty Moor (Songs of Anne Briggs) options Sharon van Etten on vocals with Hoff’s plucked and bowed bass the one accompaniment. To my ears, van Etten’s voice has by no means sounded sweeter—generally I feel that songwriters sing different individuals’s songs with a extra cautious voice—and right here, with the Riviera Labs gear driving the DeVore O/96, voice and bass took on dimensional actuality in Barn, feeling as full and wealthy (and rewarding) as the true factor. Whereas I’m no synesthete, I may practically see Hoff’s picket bodied bass’ deep wealthy coloration, which performed off van Etten’s scarlet sweater properly (I imagined that final half).

Mal Waldron’s “Heat Canto” from his masterpiece of an album The Quest (1962) is about as good a narrative in track as I’ve heard, advised by an enchanting forged of characters. That includes Eric Dolphy on clarinet, Booker Ervin on tenor saxophone, Ron Carter on cello, Joe Benjamin on double bass, and Charlie Persip on drums, and Waldron on piano, Dolphy then Carter then Waldron take seems entrance and every instrument and participant was given their totally distinct voice, timing, and really feel by the Riviera separates, turning this 5:40 minute monitor into timeless magnificence. I’ve listened to this monitor (and album) numerous instances on numerous programs, it’s at all times a present favourite, however I’ve by no means been so utterly related to the intricacies of timing, timbre, and motion.

I additionally gave the Credo EV 1202 Ref. Audio system (evaluate) a while on the Riviera (Labs). These slender audio system sound larger than you may anticipate in plenty of methods and the Riviera gear introduced out their uncanny skill to exchange their bodily presence with the bodily presence of music greater than any amp I paired them with. As soon as once more I’m highlighting the Riviera’s skill to show the recorded occasion right into a dimensional physicality with full voice irrespective of the tune or musical make-up.

Among the many many gorgeous debut albums of all time, Difficult’s Maxinquaye from 1995 is a private favourite for its groovy lush magnificence. Martina Topley-Hen’s vocals are pitch good, candy fragile and highly effective, atop the total world of Difficult sound. With the Riviera separates in management, the total sound world of Maxinquaye opened up in Barn, unfolding like so many strange origami birds, filling the area round me with unique delights. If I closed my eyes and let Maxinquaye pour in utterly, the Barn’s partitions and ceiling light into limitless area operating on Difficult time. A dive so deep I believed I would come up dripping.

Pierre Bastien items collectively his music from automated orchestras. Right here on Blue As An Orange these items are comprised of amplified Meccano elements, motors, followers, rattles, paper, and nails blended with stay devices together with ready trumpets, African kundi harp, Javanese rabab, sanza, electrical harpsichord, bass, drums, and gongs. By some means Bastein makes all this sound all-too-human. The sounds of this file are very a lot part of the musical message and as soon as once more the Riviera separates imbued each loopy mechanical tick and tock and every distinct instrument’s voice with gorgeous actual life dimension, depth, and readability. I really like this file for all its obvious love of human foibles and I’ve by no means heard it so totally fashioned, so severely foolish, as by means of the Riviera APL10 preamplifier and AFM25 monoblocks driving the DeVore O/96.

These are just some samples of the music that graced the Barn in the course of the Riviera’s 3 month residence. In that point, temper and music’s interconnected internet led the way in which by means of outdated, new, borrowed and blue however one factor tied all the pieces collectively—pure unadulterated enjoyment in music’s transformative magic.

The Barn lives within the woods down a personal grime highway, miles (and miles) from most issues that make noise. Most days, you possibly can hear the echo of a pin drop. All to say if I need to hear in to what a hifi is doing to music, the one factor that will get in the way in which is consideration, or lack thereof. Seeing as music is the therapeutic pressure of the universe, props to Albert Ayler, and I exploit music to sooth, I’m all consideration more often than not when listening. As I mentioned, that is an exercise I’ve been at, professionally, for greater than a decade and we stay on this place down a personal grime highway as a result of it had a Barn for me to work inside. I point out the plain as a result of it speaks to a sure diploma of seriousness in strategy to this work, which isn’t actually work in any respect.

When a hif system reveals new issues about outdated, acquainted music—as when you’ve found a hidden room inside—the expertise of listening takes on better significance. At the very least that’s the case for me. The Riviera Labs PL10 Preamplifier & AFM25 Monoblock Amplifiers labored like archeologists of sound on all the music I despatched their manner, turning replica into an expertise worthy of on a regular basis and a focus I needed to provide. For individuals who wish to hear, I can consider no better praise or advice.


Riviera Labs APL10 Preamplifier
Value: $17,500

Energy 25W / 8 Ohm
Zero Suggestions
Pure “Class A”
Hybrid design (Triode, BJT, Mosfet)
1 RCA Unbalanced enter
1 XLR Balanced enter (true balanced)

AFM25 Monoblock Amplifiers
Value: $32,800/pair

Energy 25W / 8 Ohm
Zero Suggestions
Pure “Class A”
Hybrid design (Triode, BJT, Mosfet)
1 RCA Unbalanced enter
1 XLR Balanced enter (true balanced)
Dimensions: 26×43.5×14.5h cm. Weight: 14.4 Kg

Firm Web site: Riviera Labs
US Distributor Web site: Tone Imports

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