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Home»Receivers and Amplifiers»Exclusive: Inside The Audio of Blackpink’s ‘Born Pink Encore’ Tour
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Exclusive: Inside The Audio of Blackpink’s ‘Born Pink Encore’ Tour

dutchieeaudio.comBy dutchieeaudio.com10 October 2023No Comments8 Mins Read
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56,000 fans came out to see the final North American show of Black Pink's Born Pink Encore tour. Photo: Photo: YG Entertainment.
56,000 followers got here out to see the ultimate North American present of the Blackpink Born Pink Encore tour. Picture: Picture: YG Leisure.

Los Angeles, CA (October 10, 2023)—South Korean Okay-pop artists Blackpink smashed one more report this summer season, changing into the highest-earning woman group for a single tour, in response to Touring Knowledgewhich tracks field workplace receipts. Over the 2 months ending in late August, the group raked in practically $75 million from 26 performances, pushing the Spice Women into second place, forward of TLC and Future’s Youngster. And the Born Pink World Tour, Blackpink’s second international jaunt, nonetheless had months to go.

A part of South Korea’s YG Leisure administration secure, the group—Jennie, Jisoo, Rosé and Lisa—have been rewriting the historical past books virtually since dropping their first single in late 2016. Along with breaking one chart report after one other, they have been the primary feminine Okay-pop group acknowledged by the RIAA to win a VMA and to seem on the duvet of Billboard. They at the moment have 4 songs in YouTube’s Billion Views Membership.

On the highway, they have been the primary Asian act and the primary all-female group to headline Coachella, in 2023. On August 11 and 12, with 4 exhibits left on the tour itinerary, 100,000 followers packed into MetLife Stadium in East Rutherford, N.J., making Blackpink solely the third feminine act to promote out back-to-back exhibits on the venue, following Beyoncé (July 2023) and Taylor Swift (Could 2023).

The tour carried 128 Clair Cohesion CO-12 line array modules flown as main and wing hangs, plus outfill where necessary along with three delay towers, with 12 flown CP-218 subs and another 40 on the ground. Photo: Steve Harvey
The tour carried 128 Clair Cohesion CO-12 line array modules flown as principal and wing hangs, plus outfill the place essential together with three delay towers, with 12 flown CP-218 subs and one other 40 on the bottom. Picture: Steve Harvey.

Reportedly simply 10 % of the Okay-pop viewers lives in South Korea, with the opposite 90 % distributed worldwide. It’s no shock, then, that the Born Pink Tour, which kicked off in October 2022 in Seoul, South Korea, was fairly the worldwide affair, visiting 22 nations throughout 4 continents and bringing collectively YG Leisure, U.Okay. visible manufacturing firm Ceremony London, an all-American band and music director, and Lititz, Penn.-based sound manufacturing firm Clair World.

By the point the Blackpink juggernaut rolled into the 56,000-capacity Dodger Stadium in Los Angeles on August 26, the group was on its second move by way of the U.S., the tour now renamed Born Pink Encore, with solely a Seoul finale left to play. Throughout soundcheck, FOH engineer Younger-Il Kim, with Clair World’s Jae J. Tune translating, took day out to elucidate his hybrid analog/ digital mixing philosophy. Kim, who established his personal dwell sound firm, Tristar Audio, in South Korea in 2006, has labored with a protracted listing of Okay-pop artists, together with BTS, 2NE1, Massive Bang, TXT, Enhyphen, Le Sserafim and Treasure.

The international Blackpink sound crew, from left: JJ Song, Clair Global; Darin Herschberger; Matthew Gallagher; Seung-Ho Ryu, Monitor Engineer, Tristar Audio; Yi-Seo Koo, Stage Tech; Alex Kociper, System Engineer, Clair Global; Michael Gamble; Young-Il Kim, FOH Engineer and Owner, Tristar Audio; Kevin Yaver; Allison Wilcox; Mars McGurl. Photo: Jae J Song
The worldwide Blackpink sound crew, from left: JJ Tune, Clair World; Darin Herschberger; Matthew Gallagher; Seung-Ho Ryu, Monitor Engineer, Tristar Audio; Yi-Search engine marketing Koo, Stage Tech; Alex Kociper, System Engineer, Clair World; Michael Gamble; Younger-Il Kim, FOH Engineer and Proprietor, Tristar Audio; Kevin Yaver; Allison Wilcox; Mars McGurl. Picture: Jae J Tune.

ANALOG FEEL, DIGITAL CONTROL

For the Blackpink tour, he stated, “I used to be in search of digital gear with an analog style.” Involved about latency, he selected to reduce his use of plug-ins, as an alternative combining an Avid S6L-32D desk with a double-wide rack of analog tone-shaping instruments. His analysis into converters to interface between the desk and rack led him to RME’s M-32 Professional, for its readability and efficiency, he stated. To realize the coloration that he desires on a song-by-song foundation, he inserted both AMS Neve 33609N, Cranesong STC-8 or API 2500 compressors throughout his outputs or on particular channels, corresponding to for the rhythm part. Additional processing choices included units from Manley, Bricasti and others, whereas a Waves Soundgrid server supplied no matter plug-ins he selected to make use of.

Blackpink FOH engineer Young-Il Kim at the Avid S6L-32D during soundcheck at Dodger Stadium. Inset: The analog rack, with signal converted through a pair of RME M-32 Pros. Photo: Steve Harvey.
Blackpink FOH engineer Younger-Il Kim on the Avid S6L-32D throughout soundcheck at Dodger Stadium. Picture: Steve Harvey.

Whereas testing converters, Kim seen a basic distinction in latencies between the AES and MADI feeds into the converter versus the analog sign and opted for MADI. “He informed me you must A/B the analog and AES outputs of the console, any console, to the MADI outputs, and also you’ll hear a distinction,” confirmed Clair World system engineer Alex Kociper.

Mixing Woman Gaga

Seung Ho Ryu, additionally mixing on an Avid S6L- 32D on the monitor place, generated 28 mixes from 64 inputs, not together with talkback, for the 4 principals, 16 dancers, 5 band members and crew who listened by way of Shure PSM 1000 and Sennheiser G3 IEM programs. A dozen Clair CM14 wedges and two 18-inch subs supplied extra stage protection.

The analog rack, with signal converted through a pair of RME M-32 Pros. Photo: Steve Harvey.
The analog FOH rack, with sign transformed by way of a pair of RME M-32 Execs. Picture: Steve Harvey.

The 4 singers favor a Sennheiser Digital 6000 system with customized pink SKM 6000 handhelds topped with MM 445 dynamic capsules. For dance numbers, three of the ladies switched to Shure WBH54 headset mics with URD4+ receivers, the fourth utilizing a Crown CM311-A head-worn mic. Kim prefers the sound of the Crown, he stated, however the headsets have been too heavy for 3 of the ladies once they danced.

The one main audio problem on the Blackpink tour was in Thailand, Ryu recalled, the place a mobile phone supplier, responding to dropout experiences, despatched a booster van to the venue minutes earlier than the present began. Sadly, he stated, with cell telephones there working between 600 MHz and 700 MHz—prime wi-fi audio actual property—they have been unable to make use of the headsets that evening.

POWER IN THE P.A.

For his half, Kociper had his personal set of instruments with which to regulate the P.A., Clair World’s Cohesion speaker system, to Kim’s style. “Kim likes Cohesion; he’s acquainted with it, and he is aware of what he desires out of it,” Kociper stated. “It’s all Lab.gruppen PLM amps with built-in Lake processing. I’ve [Lake] LM 44s [DSP speaker management units] at front-of-house to take his drive strains, AES from the console, and use that to distribute the Dante major transmission with an analog backup.”

Worldwide, aside from one nation, the tour carried 128 Cohesion CO-12 line array modules flown as principal left and proper hangs, with two wing arrays and, the place additional seating required it, outfill, plus three delay towers. Eight CO-10 modules supplied frontfill.

Blackpink monitor engineer Seung Ho Ryu, also mixing on an Avid S6L-32D console. Photo: Steve Harvey.
Blackpink monitor engineer Seung Ho Ryu, additionally mixing on an Avid S6L-32D console. Picture: Steve Harvey.

Kim noticed that Cohesion arrays are light-weight, versatile, supply good curvature capabilities and generate loads of low finish with a large general frequency response. Nevertheless, Okay-pop, like EDM and hip-hop, wants some severe low-frequency extension, Kociper famous. “Now we have 40 Clair CP-218 subs on the bottom and 12 within the air. That’s greater than half a truck of subs. All of the songs have that large 808 [kick drum] drop, so that you want the affect. There’s a lot headroom left, and Kim’s not hitting them super-hard, so it’s clear. The CP-218 could be very environment friendly.”

Total, he reported, “It’s loud—108, 109 dB, A-weighted; 130 dB, C-weighted, due to all of the subs, however it doesn’t appear loud. And the music requires it—it’s an impactful present.”

SIDEBAR: STUDIO MEETS STAGE

In Okay-pop, it’s commonplace for studio manufacturing and dwell sound to be tightly built-in. “I’ve executed Okay-pop excursions the place the studio engineer who blended the report is on one aspect of the console mixing the tracks and stems, and the dwell man shall be mixing the vocals,” Clair World’s Alex Kociper stated, “however Kim does all of it himself.”

“I attempt to reduce the space between the recording and the dwell efficiency,” Kim elaborated. To faithfully reproduce the sound of the report in a dwell setting, he stated, he’ll take heed to the supply tracks— the devices and the results—to know how they have been produced within the studio. “I ask the studio engineer how they processed the whole lot in order that I can apply that to the dwell sound.”

For dance numbers, three of the women switched to Shure WBH54 headset mics with URD4+ receivers, the fourth using a Crown CM311-A head-worn mic.
For dance numbers, three of the ladies switched to Shure WBH54 headset mics with URD4+ receivers, the fourth utilizing a Crown CM311-A head-worn mic.

Digging into the music and the best way it was created has been a worthwhile studying expertise, he stated. Finally, it’s his job to translate these studio tracks to the dwell area, taking enter from all of the stakeholders. “I’ve to specific what the artist desires and perceive what the artist administration firm and the manufacturing desires. They understand how the sound from their artists must be, and I’ve to fulfill that expectation.”

That’s more durable than some individuals would possibly suppose, Kim stated, “however it’s essential for any such music.”

This text appeared within the October 2023 subject of Combine as “Blackpink within the Massive Time.”

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