Andrea Manzoni and Giorgio Ferrero Craft a Unique Self-Portrait with AUDIX Microphones

Turin, Italy (February 13, 2024) – Pianist and composer extraordinaire, Andrea Manzoni, joined forces with composer, producer and movie director Giorgio Ferrero to craft Self-Portraita musical panorama that delves deeply into their internal worlds. This sonic journey, captured with AUDIX microphones at MYBOSSWAS Studio in Turin, Italy, took a novel strategy in exploring the studio’s vertical piano. Whereas capturing a stand-up piano is often commonplace fare for many recordings, Manzoni and Ferrero had different plans. To understand their far reaching imaginative and prescient to extract otherworldly tones and feelings from the instrument they relied on an array of AUDIX microphones, together with the SCX25APS, SCX1, A231, PDX720, and ADX60.

Manzoni is a composer, producer, pianist, and performer who blurs the boundaries between jazz, digital, movie, pop, and classical music into an rising “crossover” fashion. He’s recorded and collaborated with artists as assorted as Andrea Bocelli and Lawrence D. “Butch” Morris and carried out world wide from Carnegie Corridor to London’s Saint Martin within the Fields, to venues in Rome, Hong Kong, Milan and Tunis, to broadcasts on Swiss Public Radio, France 2, Europe 1, and plenty of others.

Giorgio Ferrero is an Italian award-winning composer, director and photographer who runs the multidisciplinary inventive studio MYBOSSWAS the place Self-Portrait was recorded. He has composed soundtracks for dozens of movies which premiered in main world movie festivals (Venice, Locarno, Tribeca, for instance,) in addition to theatrical performances together with music for the works of Paolo Giordano, Daniele Gaglianone, David Lachapelle amongst others. He has created visible and sound artwork installations for MAXXI Museum, Bordeaux Biennal, Museo Nazionale del Cinema, and has labored commercially for publishers and types like Condè Nast, Nike and Alfa Romeo.

Whereas Andrea and Giorgio had identified one another for a few years, Self-Portrait marked their first collaboration. Regardless of traversing completely different musical paths, they found a shared sensibility, leading to an enthusiastic partnership.

Manzoni’s completely fashionable composition known as for the piano to performed, scraped, and struck in unconventional methods. Ferreri displays on their strategy to the studio’s piano, stating, “We performed and tortured the studio’s piano in a method that solely we might do…as a result of it’s my studio and it’s my piano.”

The excessive sensitivity and detailed copy offered by the AUDIX microphones performed a pivotal position in capturing a various vary of views and sounds from the piano, which have been then fed via classic processing gear and Ferrero’s digital audio workstation the place he filtered, looped, and manipulated the efficiency in real-time to create the completed product.

“The AUDIX microphones have been greater than important in translating the layers of sounds and music inherent within the composition,” commented Ferrero. “They enabled us to find particulars that we didn’t know we’d discover. It’s virtually as in the event that they have been further performers on the piece.” He highlights AUDIX microphones, notably PDX720, ADX60, and SCX25 APS, as nice surprises that contributed to the ever-changing panorama of their composition.

Their collaboration turned a snapshot of their lives at that particular second. AUDIX merchandise have been strategically positioned primarily based on Ferrero’s chromatic and visible strategy to sound, in steady dialogue with Manzoni’s sensitivity to expression and the piano’s sound.

A matched pair of SCX25A giant condenser microphones designed for piano miking have been positioned subsequent to the piano’s felts, a key place for shaping the work’s sound, however the remaining microphones could possibly be thought-about creatively positioned and led to the distinctive nature of the recording.

A pair of AUDIX A231 giant diaphragm condenser vocal microphones, positioned up excessive and processed via boutique tube gear, imparted a retro/lo-fi vibe. The PDX720 skilled dynamic studio microphone lay close to Manzoni’s ft,and performed an important position in capturing the percussive aspect of the composition—from foot faucets and stomps to depressions of the piano’s pedals. The ADX60 boundary condenser microphone served as a flexible jack-of-all-trades, whereas a pair of SCX1 skilled studio condenser microphones positioned in an adjoining room offered the ethereal ambient sound that emanated from the efficiency.

The sounds from the completely different AUDIX microphones have been seamlessly combined collectively to offer the listener the impression that they transition from exterior the room to contained in the piano itself.

Ferrero praises the SCX25, stating, “With little or no processing the microphone produced the precise important sound we wished for this piece.” He provides, “Conversely, the PDX720 was a departure from the standard dynamics, offering a recent take to the percussive, punchy aspect of our work—a wonderful software certainly. A231s and ADX60 additionally offered fantastic sources for manipulation and processing, with the latter being a pleasure for its measurement and sound, because it was simply positionable with minimal fuss.”

The duo discovered the expertise of making Self-Portrait so inspiring, that they plan it to be the primary piece on a forthcoming album on account of be launched later this 12 months. Hearken to Self-Portrait and discover out extra at https://audixusa.com/andrea-manzoni-and-giorgio-ferrero-craft-a-unique-self-portrait-with-audix-microphones/.