Launched in 1973, the SM7 was meant to carry the perfect of Shure’s in style SM57 and SM58 microphones into a bigger bundle supposed for studio use. Initially, it was predominantly used for capturing horns and percussive devices. Nevertheless, after it was used for vocals on Michael Jackson’s iconic “Billie Jean” monitor in 1982, the SM7 gained numerous reputation for capturing voice.
In 1999, Shure made a brand new revision, dubbed the SM7A, with an improved humbucking coil and modifications within the design of the yoke mount. In a while, Shure launched the SM7B with an extra bigger windscreen in 2001. Although these modifications would set the microphones aside, efficiency acoustically was the identical.
Because of the chunky black aluminum enclosure and a big windscreen, the Shure SM7B is immediately recognizable. Furthermore, the enduring yoke mount design makes it stand out in comparison with most different microphones in the marketplace. Nevertheless, aesthetics will not be the one factor that makes the SM7B’s design distinctive. The microphone feels sturdy and inflexible in hand and may take a good quantity of abuse earlier than going through any issues. Furthermore, the yoke mount permits the mic to hook up with a microphone increase arm and angle it conveniently.
Within the field, the SM7B comes with two windscreens with totally different thicknesses. Each do an important job at lowering plosives (the tough “P” sound, for instance), which means you do not want an exterior pop filter. Nevertheless, the thicker one barely dampens the high-frequency response.
